Books with title Oxford Book of Children's Verse

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.

This anthology brings together the outstanding verse written for children over a period of five hundred years. It contains more than 300 poems written by 123 authors, and includes the rhymed precepts of medieval times, the admonitory verse of Elizabethan Puritans, the inspirational verse of Blake and Christopher Smart, the nonsense verses of Edward Lear and Lewis Carroll, the nursery verses of Robert Louis Stevenson and A. A. Milne, and the poetical imaginings of Christina Rossetti, Eleanor Farjeon, and Walter de la Mare. It has truly been called "A companion to the mature of all ages, no matter how young."

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.

In the tradition of Iona and Peter Opie's Oxford Book of Children's Verse comes this anthology by the award-winning poet and children's book author Donald Hall. Bringing together "poems written for children and also poems written for anybody which children have enjoyed," the book includes anonymous works, ballads, and recitation pieces, beginning with the Calvinist verses of the seventeenth century.Hall has collected poems from Sunday School magazines, Christmas annuals for children, and children's periodicals such as St. Nicholas and Youth's Companion. Many marvelous writers, some no longer remembered, wrote almost every month for these nineteenth and twentieth century publications. In addition to the expected names of Longfellow and Whittier, we find Sarah Josepha Hale ("Mary Had a Little Lamb"), Mary Mapes Dodge (creator of Hans Brinker), and Palmer Cox (with his marvelous Brownies). Twentieth century authors abound: Ogden Nash, T.S. Eliot, John Updike, Theodore Roethke, to name just a few. The book concludes with the fabulous nonsense of present-day writers like Shel Silverstein and Nancy Willard.About the Editor:Donald Hall's many books include The Oxford Book of American Literary Anecdotes, Kicking the Leaves, and Ox-Cart Man, which won the Caldecott Medal for children's literature.

Inspire young children to move from nursery rhymes to serious (but not solemn!) verse with this burgeoning collection that includes poems by Lewis Carroll, Christina Rossetti, Shakespeare, and many others. The illustrations reflect the vitality of the verses. Edward Blishen, who compiled the anthology, was a teacher for 15 years, and the volume has been spectacularly illustrated by Brian Wildsmith.

A charming collection of traditional rhymes, originally published by Dean & Son Ltd. of London. This hardcover reprint includes the complete text and illustrations of four Dean titles: ABC Apple Pie, ABC Nursery Rhymes, Nursery Rhymes Old and New, and The Pied Piper of Hamelin. Each page features full-page color illustrations by Janet and Anne Grahame Johnstone.